THE BEATLES. 1978
RARITIES. LP (UK)
Parlophone – PSLP 261. EMI Records Ltd. - PSLP 261
Matrix / Runout (Label A): SPSLP.261 A-1
Matrix / Runout (Label B): SPSLP.261 B-2
Vinyl, LP, Stereo, 33 1/3 rpm, Album,
Country: Great Britain
Recorded / Released: 1962—1969 / 1978
Genre, Style: Rock, Pop, Rock & Roll,
mp3 320 kbit/sec. 164 Mb
Playing time: 45:13
TRACKLIST:
ВОСПРОИЗВЕСТИ ВСЁ
SIDE ONE
01. ACROSS THE UNIVERSE (LENNON - McCARTNEY) - 03:51
NORTHERN SONGS LTD (P) 1969
02. YES IT IS (LENNON - McCARTNEY) - 02:43
NORTHERN SONGS LTD (P) 1965
03. THIS BOY (LENNON - McCARTNEY) - 02:15
NORTHERN SONGS LTD (P)1963
04. THE INNER LIGHT (HARRISON) - 02:38
NORTHERN SONGS LTD (P) 1968
05. I'LL GET YOU (LENNON - Mccartney) - 02:07
NORTHERN SONGS LTD (P) 1963
06. THANK YOU GIRL (LENNON - McCARTNEY) - 02:06
NORTHERN SONGS LTD (P) 1963
07. KOMM, GIB MIR DEINE HAND (LENNON - McCARTNEY) - 02:29
NORTHERN SONGS LTD (P) 1963
08. YOU KNOW MY NAME (LOOK UP THE NUMBER) (LENNON - McCARTNEY) - 04:21
NORTHERN SONGS LTD (P) 1970
09. SIE LIEBT DICH (LENNON - McCARTNEY) - 02:21
NORTHERN SONGS LTD (P) 1963
SIDE TWO
10. RAIN (LENNON - McCARTNEY) - 03:04
NORTHERN SONGS LTD (P) 1966
11. SHE'S A WOMAN (LENNON - Mccartney) - 03:04
NORTHERN SONGS LTD (P) 1964
12. MATCHBOX (CARL PERKINS) - 02:01
CARLIN MUSIC CORP (P) 1964
13. I CALL YOUR NAME (LENNON - McCARTNEY) - 02:13
NORTHERN SONGS LTD (P) 1964
14. BAD BOY (LARRY WILLIAMS) - 02:23
VENICE MUSIC LTD (P) 1965
https://www.youtube.com/watch?v=52yRD-S4d0Q
15. SLOW DOWN (LARRY WILLIAMS) - 02:59
ESSEX MUSIC INTERNATIONAL (P) 1964
16. I'M DOWN (LENNON - McCARTNEY) - 02:36
NORTHERN SONGS LTD (P) 1965
17. LONG TALL SALLY (JOHNSON - PENNIMAN - BLACKWELL) - 02:11
COPYRIGHT CONTROL (P) 1964
ALL TRACKS PRODUCED BY GEORGE MARTIN
SIDE ONE: (02-06) MONO
SIDE TWO: (02-04, 06-08) MONO
ALL OTHER TRACKS STEREO
Rarities, что переводится "Редкости" - "Раритеты" - британский альбом-сборник песен The Beatles, выпущенный на Parlophone сначала в декабре 1978 года в составе полного собрания всех 12 британских альбомов The Beatles в одной коробке под названием The Beatles Collection (PSLP 261), затем в октябре 1979 года - отдельным изданием (PCM 1001).
Beatles rarities? There's no such thing, surely? Nothing the Beatles released could be rare: not with the tales they've chalked up around the world. You could probably wallpaper the entire. Abbey Road Studios with gold and silver albums they've all told over a million copies around the world. Unless you mean unreleased demos and stuff … No. There's nothing here that hasn't been released before, although a couple of tracks have never been released in Britain before. What's meant by rarities are the B-sides of various singles and tracks from EPs which have never been put on an album. Some of them have got "lost" over the years. Everybody who bought a copy of "She Loves You" (and one and a half million people did in Britain alone) mutt have played the nip side. "I'll Get You" a handful of times at least, but how many people have played
it in the last decade? If you're old enough to remember (even if I you'll only admit it to yourself), molt of the songs here will come at you with the same mixture of surprise and pleasure that you get from meeting somebody by chance in the street who you used to know years ago but had forgotten about. And if you're young enough hen it's quite likely that you won't have hoard several of the songs before. Whatever, you'll find this fun. So let's check out the goodies. "Across The Universe" is not the Phil Specter-produced version that's on the "Let It Be" album It dates from earlier than that and was original ly donated to the World Wild Life Fund compilation album "Nothing's Gonna Change Our World" which was released in January 1970. It features John and Paul on vocals with back-up vocals done by a couple of girls they roped In from Iho street during the session! Lennon hat always rated this as one of hit favourite Beatle songs.
"Yes It Is" backed "Ticket To Ride" and came out in April 1965 Nobody would claim it as one of the Beatles' more distinguished compositions but like so many of their B-sides it gave them a chance to try out some now instrumental and vocal ideas away from the commercial "glare" of an A-side or an album. In case you're wondering, the sensitive "whine" that's an integral part of the arrangements it George Harrison playing with a volume tone pedal, a device that's pretty old hat now but was something new in those days. «This Boy" is in a similar vein although it's someeighteen months earlier. In fact, it could c laim to be the biggest telling rarity in the world as it was the flip side of "I Want To Hold Your Hand" which sold over five million copies worldwide The cleverly arranged and tightly performed harmonies were something of a revelation at the time. "You mean these boys can actually ting?" (!) That's Paul on the top line vocals by the way, but listen to the way John subtly alters the harmonic shades underneath. «The Inner Light" is a George Harrison effort that found its way onto the back of "Lady Madonna" in Much 1964. It bears the strong Indian influence that pervaded all his work at that time and is his first impression of the Maharishi Yogi's transcendental meditations imple yet joyful. McCartney says of it: "Forget the Indian music and listen to the melody. Don't you think it's a beautiful melody? It's really lovely."
"I'll Get You." as we've mentioned before, had the honour to share the same vinyl as the immortal "She Loves You" and oven has the auda city to start with "Oh yeah" as the open in g line. It has all the hallmarks of an early Lennon - McCartney Sixties beat group compositions traight forward but delivered with that unique Beatles' style. John and Paul wore turning out songs like this in their sleep at one time but there's many a Liverpool band who would have given their adenoids to have this as their A-side. «Thank You Girl" is even earlier, from the B-side of their third single. "From Me To You."
released in April 1963. The wailing harmonica and basic Instrumental backing gives the song a real Cavern Club flavour, right down to the primitive echo on the vocals at the end. "Komm, Gib Mir Deine Hand" and "Sie Llebt Dich" are respectively "I Want To Hold Your Hand" and "She Loves You" sung in German! They were released together at a tingle in Germany In January 1964 as anacknowledgement of the Beatles' Hamburg
apprenticeship. This It the first time they've been released in Britain although they did come out In America at the height of Beatlemania there when a record of the Fab Four scratching themselves would have got in the charts! German is not the world's easiest or most evocative language to sing in but the Beatles' own character sees thorn through Knowing John's sense of humour at the time. I Just hope somebody chocked the translation! "You Know My Name (Look Up The Number)" qualifies as the curio of the album, not to motion the Beatles' entire recorded output. It originally came out as the B-side of "Let It Be" in March 1970, but would you believe it as once considered as an A-side? (!) It's a prime example of Lennon's scrambled consciousness that had previously been aired on some tracks of the double White album. It's a cheerful piece of self-mockery that debunks everything in sight. "Rain" could fairly claim to be one of the
strongest Beatles B-sides ever recorded. Supporting "Paperback Writer" when it was
released in June 1966, it is an early excursion Into the realms of expanded consciousness at a time when most of us thought grass was something you sat on! At the end John can be heard singing backwards, a trick ho stumbled across when he took a demo of the song home with him one night and in his stoned reverie inadvertently played it backwards on his tape recorder. So now you know. "She's A Woman" was the flip side of "I Feel Fine" which came out in November 1964 in the wake of the "Hard Day's Night" triumph. It's clear evidence of McCartney's burgeoning is sharply syncopated and demands (and gets) an alert instrumental approach. Over the top Paul sings with firm conviction. It's just one of those tracks that couldn't have been written by any other group in the world. "I Call Your Nome," "Matchbox," "Long Tall Sally" and "Slow Down" were collectively issuedat the "Long Tall Sally" EP in June 1964. Only "I Call Your Name" was a Beatles' composition and even that had been given to Billy J. Kramer earlier as the B-side of "Bad To Me" (a Lennon McCartney composition the group never recorded themselves.) The other three tracks are standard
rockers that the Beatles had been playing for years, and just in case you thought they couldn't play real rock and roll here's the proof to the contrary. Higher energy than this you could not get In 1964. "Bad Boy" is a genuine evergreen Beatles rarity. A Larry Williams song (ho wrote "Slow Down" as well) It first cropped up on the American album "Beatles VI" (the American Beatles albums bear little relation to the English albums up until "Revolver") in the summer of 1965. but it didn't appear In Britain until
November 1966 when it turned up as part of the «A Collection of Oldies … . . But Goldies" compilation. It was rather swamped by a mess of million-selling chartbusters there but In the context of this album, it holds its head up with a good deal more confidence. "I'm Down" is the Beatles having the auda city to take on Chuck Berry at his own game. Originally to be found on the flip-side of "Help!" released in July 1966 it rattles along at breakneck speed with John pummelling what passed for an organ in those days fit to bust. The song was alto one of the high lights of the Beatles' legendary Shea Stadium gig a month later. Only true Beatles followers could claim to have more than half the tracks on this album. And only die-hard fanatics could boast over 80 percent. So on any level this album represents a collectors item … . and some fine rock and roll to boot. Hugh Fielder - Sounds
(P) EMI Records Ltd.
Manufactured in the UK by EMI Records Ltd.
Printed and made in Great Britain by Garrod & Lofthouse Ltd
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