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Показаны сообщения с ярлыком NORRIE PARAMOR. Показать все сообщения
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пятница, 11 ноября 2022 г.

CLIFF RICHARD. 1965 - WHEN IN ROME. LP (UK)

 CLIFF RICHARD. 1965 

 WHEN IN ROME. LP (UK) 


Columbia – 33SX 1762
Vinyl, LP, Mono, 33 1/3,  Album
Country: UK
Записан / Выпущен:  19.. / 1965
Жанр,стиль:  Pop, Folk, World, & Country, Vocal, Ballad,
mp3    320 кбит/сек.  90.0 Mb
Продолжительность: 36:10


СОДЕРЖАНИЕ:

ВОСПРОИЗВЕСТИ ВСЁ


SIDE ONE

01. COME PRIMA (For the first time) - 02:26
(Panzeri-Di Paola-Taccani)

02. NEL BLU DIPINTO DI BLU (Volare) - 02:26
(Modugno-Migliacci)

03. CONCERTO D’‘AUTUMNO (Autumn concerto) - 02:51
(Danpa-Bargoni)

04. O MIO SIGNORE (The Questions) - 03:37
(Vianello-Mogol)

05. MARIA NINGUEM (Maria’s her name) - 02:08
(Mogol-Lyra)*

06. NON L’'ASCOLTARE (Don't talk to him) - 02:52
(Richard-Welch-Cassia)*

07. DICITENCELLO VUIE (Just say I love her) - 02:52
(Kalmanoff-Ward-Fusco-Val-Dale-Falvo)



SIDE TWO

08. ARRIVEDERCI ROMA - 03:05
 (Garinei-Giovannini-Rascel)

09. CARINA (Testa-Poes) - 02:42

10. LEGATA AD UN GRANELLO DI SABBIA (A little grain of sand) - 03:11
(Marchetti-Fidenco)

11. CASA SENZA FINESTRE (House without windows) - 02:44
(Testa-Pockriss)

12. CHE COSA DEL FARAI MIO AMORE - 02:30
(Pallavicini-Di Ponti)

13. PER UN BACIO D’AMOR (Tell me you're mine) - 02:44
(Bertini-Ravasini)

Produced by JOHN LEE and M. DI PONTI (C)1965
Cliff Richard With Accompaniment By:
Norrie Paramor And His Orchestra (01-04, 07-13)
The Shadows (05, 06)


If any performer justifies the title of “Golden Boy” of the British pop music scene, that artist is Cliff Richard. No other singing star has achieved so much in such a relatively short space of time, and his seven years as a top-line professional attraction have brought him enough trophies and awards to fill a room from floor to ceiling. It is no exaggeration to say that the phenomenal Mr. Richard is a legend in his own time, and there’s no field of show business in which he hasn't distinguished himself. Today, Cliff is very much an international star. His records sell in tens of thousands in countries all over the world; his films break box-office records wherever they are shown; concert appearances are guaranteed to bring out the “ House Full” signs long before the show begins; and his television engagements are witnessed by audiences running into many millions. As a singer, his prowess is too well known to warrant detailed examination in the short space available here—suffice to say that every one of his single, EP and LP recordings has attained best seller status on a gigantic scale. His worth as an actor, dancer and light comedian can best be judged from the success of such record-breaking films as “The Young Ones”, “Summer Holiday”, and “Wonderful Life’. And to anyone who has ever seen him on stage, screen or TV, it goes without saying that he is equipped with enough charm and personality to win over the toughest of tough audiences.
This present LP—specially released to meet the continued demand in Britain for more and more Cliff Richard recordings—was originally made solely for the Italian market, where Cliff is a regular chart rider. Cliff's performances are so great that Columbia felt they should be made available to British fans. On some of the titles, Cliff is backed by his erstwhile colleagues, The Shadows; on others by the Norrie Paramor Orchestra, who have backed Cliff on the bulk of his big ballad hits. All but two of the songs—Don’'t Ta/k To Him (written by Cliff) and House Without Windows — are Italian in origin, and Cliff handles the difficult language as if he’s been speaking it all his life. In fact, apart from English, Italian is the fourth foreign language Cliff has recorded in—the others being French, German and Spanish. It’s not unusual to find a British artist singing in a foreign language these days, but It is rare to find such a record as polished, poised and convincing as this set by Cliff — another valuable - addition to the already bulging library of recordings by Britain's top singing star. You may not understand all the words, but you can’t fail to be impressed yet again by the style, finesse and all-round talent of Britain’s “Golden Boy”— Cliff Richard I
JAMES WYNN.


(P) 1965 E.N.I. REGORDS
(The Gramophone Company Ltd.)
HAYES. MIDDLESEX. ENGLAND
Made and Printed in Great Britain
Оцифровка: Иван_К (rutracker.org)
СПАСИБО!!!

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понедельник, 17 января 2022 г.

THE BIG BEN BANJO BAND. 1967 - HAPPY BANJOS PLAY THE BEATLES. LP (USA)

 THE BIG BEN BANJO BAND. 1967 

 HAPPY BANJOS PLAY THE BEATLES. LP (USA)


Capitol Records ST 2642
Винил, LP, Стерео, 33 1/3,  Альбом,
Страна: USA
Записан / Выпущен:  19.. / 1967
Жанр,стиль:  Folk, World, & Country,
mp3    320 кбит/сек. 85.8 Mb
Продолжительность:   33:44


СОДЕРЖАНИЕ:

ВОСПРОИЗВЕСТИ ВСЁ




SIDE ONE

01. All My Loving - She's A Woman - You Can't Do That - 03:55

02. World Without Love - Anytime At All - And I Love Her - 03:38

03. Ticket To Ride - I'm Happy Just To Dance With You - Things We Said Today - 03:27

04. I Should Have Known Better - I'm A Loser - It Won't Be Long - 02:42

05. A Hard Day's Night - I Feel Fine - Can't Buy Me Love - 03:20


SIDE TWO

06. Paperback Writer - Eight Days A Week - I'll Get You - 03:15

07. Michelle - This Boy - Yesterday - 04:07

08. Norwegian Wood - Rain - Nowhere Man - 03:05

09. Don't Bother Me - No Reply - Little Child - 03:34

10. Tell Me Why - The Word - I'll Be Back - 02:35


All public performance rights are BMI.
All Lennon-McCartney songs with exception of
“Don't Bother Me” by George Harrison

30 of the biggest Beatle hits!
Happy Banjos play The Beatles
THE BIG BEN B ANJO BAND

The Big Ben Banjo Band - музыкальная группа, в 1954 году выпустившая хитовый 
Cингл «Let's Get Together No. 1». Сингл занял 6 строчку в "UK Singles Chart".
Группа была основана Норри Парамором в начале 1950-х годов.

BY GEORGE-JOHN-PAUL-RINGO, they've done it! Those Big Ben Banjo Band boys have come up with the greatest new sound since the Beatles beat itself. And wot’s more, luvs, they've done it by taking on 30 of the biggest Beatle hits with their own sensational instrumental style. Brisk, bright fun you're in for as these Happy Banjos play those Beatles!

What the English lads (banjos, with mandolins, trumpet, trombone, accordion and rhythm) and their leader Norrie Paramor take you to is a bountiful medley-style program that out-mods the mods (and often out-rocks the rockers) with the same enthusiasm that's made Britain the music mecca of the swinging sixties. In a roguishlypaced mood that blends tempos with the witty abandon of a Carnaby Street tailor mixing paisleys, plaids and prints, the Happy Banjos offer such jolly threesomes as A Hard Day's Night - I Feel Fine - Can’t Buy Me Love. With a wistful bit of witchery they make Michelle - This Boy -Yesterday into one tender theme on the forever ness of love. And finally, rising to giddy heights of tongue-in-cheekery, the Banjo Band has the last word in musical madcap with Tell Me Why - The Word - I'll Be Back.

Beatle-based this music may be but, as George-John-Paul-Ringo will doubtless agree, the Big Ben Banjo Band has a wonderful new sound uniquely and irresistibly its own.

Produced in England by NORRIE PARAMOR
US. A&R Coordination by BILL MILLER


Capitol Records, Inc.
Recorded in England
Оцифровка: augustus.of.york (rutracker.org)
СПАСИБО!!!

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пятница, 28 февраля 2020 г.

THE SHADOWS. 1961 - THE SHADOWS. LP (UK)

THE SHADOWS. 1961 - THE SHADOWS. LP (UK)


Columbia – SCX 3414
Matrix / Runout (A side - Stamped): YAX 788 - 1
Matrix / Runout (B Side - Stamped): YAX 789 - 2
Vinyl, LP, Stereo, 33 1/3,  Album,
Страна: UK
Записан / Выпущен:  1961 / 1961
Жанр,стиль:  Rock, Instrumental, Vocal
mp3    320 кбит/сек. 95.6 Mb
Продолжительность:   36:18


СОДЕРЖАНИЕ: 

SIDE 1 

01. Shadoogie (Marvin-Welch-Harris-Meehan) - 02:26
Shadows Music/Belinda Music: Mecolico: BIEM: NCB

02. Blue Star (Chappell) - 02:49

03. Nivram (Welch-Marvin-Harris)
Shadows Music/Belinda Music: Mecolico: BIEM: NCB
https://www.youtube.com/watch?v=LOKJc8uge6E

04. Baby My Heart (Curtis)

05. See You In My Drums (Meehan)
Shadows Music/Belinda Music: Mecolico: BIEM: NCB
https://www.youtube.com/watch?v=6OuuoqivJ5k

06. All My Sorrows (Guard-Shane-Reynolds)

07. Stand Up And Say That! (Marvin)
Shadows Music/Belinda Music: Mecolico: BIEM: NCB
https://www.youtube.com/watch?v=rQomQwv-9Hs


SIDE 2 


09. Find Me A Golden Street (Petty)
Petford Music
10. Theme From A Filleted Place (Marvin-Welch-Harris)
Shadows Music/Belinda Music: Mecolico: BIEM: NCB
https://www.youtube.com/watch?v=AUG-bW2yY-0

11. That's My Desire (Krease-Loveday)

12. My Resistance Is Low (Carmichael-Adamson)

13. Sleepwalk (Farina-Farina-Farina-Wolf)
Frank Music: Publ. F. Day: Mecolico
https://www.youtube.com/watch?v=kGKQdx08Ai8

14. Big Boy (Welch-Marvin)
Shadows Music/Belinda Music: Mecolico: BIEM: NCB
https://www.youtube.com/watch?v=lYWlTEs8Ad0


Personnel:

Hank Marvin – Lead guitar, piano and vocals
Bruce Welch – Rhythm guitar and vocals
Jet Harris – Bass guitar and vocals
Tony Meehan – Drums and percussion
Norrie Paramor – Producer
Malcolm Addey – Engineer

Instruments:

Lead guitar: Fender Stratocaster (Fiesta Red), Gretsch Country Gentleman
Rhythm guitar: Fender Jazzmaster, Fender Stratocaster (Fiesta Red), Gretsch 6120, Gibson J-200
Bass guitar: Fender Precision Bass (4 string)
Drums: Gretsch, Trixnam
Amplifier: Vox AC30  3
Piano: from EMI Abbey Road studios

Like thousands of others, I have been waiting over twelve 
months now for the release of The Shadows' first LP. 
Following a hit record, and particularly a hit record of such 
international fame as The Shadows' Apache, there is always 
a tremendous demand for an LP. 

Knowing The Shadows so well personally, I know also their 
complete dedication towards perfection on records. A 
Shadows recording session can be a completely exhausting 
affair for their Recording Manager, Norrie Paramor. I know 
I have given Norrie a few grey hairs in my time, but The 
Shadows have almost turned his hair white overnight. The 
remarkable thing is that Norrie comes up for more—still 
smiling. 

The Shadows' recording sessions are something like a 
civil war. I have seen the boys rehearse instrumentals for 
days and, after much heated discussion, they finally agree 
on an arrangement and presentation for a number: then, 
suddenly, in the middle of a recording session, Tony, Bruce, 
Jet or Hank will decide it is not going right and they will pull 
the whole thing to pieces again to the sounds of violent 
argument. This is the reason why The Shadows' first LP 
has taken so long to be released, but this is also the reason 
why The Shadows' LP is, to my mind, the most outstanding 
instrumental one I have ever heard. There are so many 

sounds on this record and all of them somehow recognis-able 
as The Shadows' sound, yet so varied that to me each track is 
a new delight. The ShackoWs' followers will know that they are 
also a great singing group and, of course, I have always known 
this. As often as possible they have backed me vocally, as well 
as instrurmiltally, on records, but I am sure their singing will 
be a surprise to many people, as will Hank's piano playing. He 
emerges in a new light with his playing in Stand Up And Say That; 
Hank has always played around on the piano and I am glad to see 
him taking it seriously. What is there to say about Jet and Tony ? 
They hold their own in any company in the world, not only in Beat 
Music but also in Jazz—in my opinion. I think the most pleasing 
tracks are the instrumental harmony pieces from Bruce and Hank. 
These are going to surprise many of our musician friends who in 
the past have often been critical of new, so-called untrained groups. 
I have seen Bruce and Hank rehearsing these instrumentals 
hour after hour in dressing rooms all over the world, and I 
hope the boys think it has all been worthwhile; I know that I do. 

Cliff Richard

IMPORTANT This record is intended for use only on special stereophonic reproducers. 
If you are doubtful of the suitability of your reproducer for playing this record, 
we recommend you to consult your record dealer. Most equipment designed for playing 
stereophonic records may, however, be used with perfect safety for playing normal 
33 1/3 r.p.m. and 45 r.p.m. microgroove records.

Записано на Abbey Road (студия 2), Лондон
Продюсер - Norrie Paramor. Звукоинженер - Malcolm Addey.
Выпущен в сентябре 1961 г.
комментарий автора оцифровки:
"Эти диски были прекрасно записаны Норри Парамором на Эбби-Роуд в замечательном 
стерео spacey, пропитанном эхом. Как и во всех ранних EMI стерео LPs & EPs, 
качество звука здесь отличное. Трудность заключалась в том, чтобы найти чистую 
копию, которая не была бы повреждена ужасным игровым оборудованием, в основном 
использовавшимся в то время. Эта пластинка fair find, купленная в 1985 году, 
находится в довольно чистом состоянии и звучит великолепно. Надеюсь, вам понравится 
эта часть истории рока!" 
Первый диск-гигант группы. 
http://en.wikipedia.org/wiki/The_Shadows_%28album%29



E.M.I. RECORDS LIMITED
LONG PLAY 33 1/3 R.P.M. RECORD  
(CONTROLLED BY ELECTRIC & MUSICAL INDUSTRIES LIMITED) 
HAYES • MIDDLESEX • ENGLAND 
Printed and made by Garrod & Lofthouse Ltd. 
Patents pending 
Made and Printed in Great Britain.
Оцифровка: corvin (rutracker.org)

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