BEE GEES. 1967
BEE GEES' 1ST. LP (USA)
Atco Records – SD 33-223, Atco Records – 33-223
Matrix / Runout (Side A label): ST-C-671073
Matrix / Runout (Side B label): ST-C-671074
Vinyl, LP, Album, 33 1/3, Stereo,
Country: US
Записан / Выпущен: 7 марта — 14 апреля 1967 / 1967
Жанр,стиль: Rock, Pop Rock, Psychedelic Rock, Baroque Pop,
mp3 320 кбит/сек. 113 Mb
Продолжительность: 37:48
TRACKLIST:
SIDE 1
01.TURN OF THE CENTURY (a)
(By Robin & Barry Gibb. Time: 02:28)
02.HOLIDAY (a)
(By Robin & Barry Gibb. Time: 02:56)
03. RED CHAIR FADEAWAY (b)
(By Robin & Barry Gibb. Time: 02:20)
04.0NE MINUTE WOMAN (b)
(By Robin & Barry Gibb. Time: 02:19)
05. IN MY OWN TIME (c)
(By Robin & Barry Gibb. Time: 02:16)
06. EVERY CHRISTIAN LION HEARTED MAN WILL SHOW YOU (c)
(By Robin, Barry & Maurice Gibb. Time: 02:40)
07. CRAISE FINTON KIRK ROYAL ACADEMY OF ARTS (c)
(By Robin & Barry Gibb. Time: 02:19)
SIDE 2
08. NEW YORK MINING DISASTER 1941 (b)
(By Robin & Barry Gibb. Time: 02:12)
09. CUCUMBER CASTLE (a)
(By Robin & Barry Gibb. Time: 02:07)
10. TO LOVE SOMEBODY (a)
(By Robin & Barry Gibb. Time: 03:02)
11.I CLOSE MY EYES (b)
(By Robin, Barry & Maurice Gibb. Time: 02:26)
12. I CAN’T SEE NOBODY (a)
(By Robin & Barry Gibb. Time: 03:47)
13. PLEASE READ ME (c)
(By Robin & Barry Gibb. Time: 02:19)
14. CLOSE ANOTHER DOOR (a)
(By Robin, Barry & Maurice Gibb. Time: 03:31)
Bee Gees:
Barry Gibb – lead, harmony and backing vocals; rhythm guitar
Robin Gibb – lead, harmony and backing vocals; Hammond organ and pump organ
Maurice Gibb – harmony and backing vocals; bass and rhythm guitars; piano, Mellotron, Hammond organ, and harpsichord
Vince Melouney – lead guitar
Colin Petersen – drums
Additional musicians and production:
Phil Dennys – orchestral arrangement on #3, 4 (side 1) and #1, 4 (side 2)
Bill Shepherd – orchestral arrangement
Mike Claydon – audio engineer
Robert Stigwood, Ossie Byrne – producer
Klaus Voormann – cover art
Arrangers: Bill Shepherd (a); Phil Dennys (b); Bee Gees (c)
All tunes in this album are published by NEMPEROR, BMI.
Robin, Maurice and Barry Gibb arrived unheralded in Britain at the beginning of this year bringing with them a bag full of songs, a wealth of musical talent, and 11 years experience working together as the Bee Gees On 24 February Polydor Records released their first U.K. single and on this day too, Robert Stigwood, Joint Managing Director of Nems Enterprises, became their personal manager when he signed The Bee Gees to a five-year management contract. Not yet out of their teens The Bee Gees have been working together since they were ‘knee high to a grasshopper’, their first performance being in 1956 to an audience of youngsters their own age at the local Gaumont Theatre in their hometown of Manchester. In 1958 the Gibb family emigrated to Australia and within a few months of their arrival the trio made its first broadcast. By 1960 they had their own 30 minute TV series screened from Brisbane. In January 1963 when Barry was 14 and the Gibb twins were still only 12 Festival Records signed them to a contract and produced a string of hit singles—all Bee Gee compositions. The Bee Gees now number five by the addition of two Australian friends, Colin Peterson and Vince Melouney (19 and 21 years old respectively) who met up with the Gibb brothers again in London. ‘‘Spicks and Specks’’ and New York Mining Disaster 1941’ have been round-the-world best sellers and the Bee Gees have emerged on our musical scene as a versatile self-contained fivesome as much admired for their vocal and instrumental work as for their unique built-in flair for writing and arranging. This their first album, recorded under the auspices of Robert Stigwood, and their Australian Producer Ossie Byrne, contains 14 tracks—all original compositions by Maurice and Robin (both 17) and Barry Gibb (19).
Робин, Морис и Барри Гибб неожиданно прибыли в Великобританию в начале этого года, привезя с собой коллекцию песен, богатый музыкальный талант и 11-летний опыт совместной работы. 24 февраля на лейбле Polydor Records вышел их первый британский сингл, и в этот день Роберт Стигвуд, Совместный управляющий директор Nems Enterprises, стал их персональным менеджером, когда подписал с Bee Gees пятилетний контракт на управление. Bee Gees, еще не достигшие подросткового возраста, работали вместе с тех пор, как были "ростом по колено кузнечику", а их первое выступление состоялось в 1956 году перед молодежью их возраста в местном театре Gaumont в их родном городе Манчестере. В 1958 году семья Гибб эмигрировала в Австралию, и через несколько месяцев после их приезда трио впервые вышло в эфир. К 1960 году в Брисбене был показан их собственный 30-минутный телесериал. В январе 1963 года, когда Барри было 14 лет, а близнецам Гибб было всего по 12, Festival Records подписали с ними контракт и выпустили серию хитовых синглов — все композиции Bee Gee. The Bee Gees теперь занимают пятое место благодаря двум австралийским друзьям, Колину Питерсону и Винсу Мелуни (19 и 21 год соответственно), которые снова встретились с братьями Гибб в Лондоне. ’Spicks and Speks" и "New York Mining Disaster 1941" стали мировыми бестселлерами, а Bee Gees появились на нашей музыкальной сцене как разносторонняя самодостаточная пятерка, которой восхищаются как за их вокальные и инструментальные работы, так и за их уникальное авторское мастерство и аранжировку. Этот их первый альбом, записанный под руководством Роберта Стигвуда и австралийского продюсера Осси Бирна, содержит 14 треков — все это оригинальные композиции Мориса и Робина (обоим по 17) и Барри Гибба (19).
A Robert Stigwood Production For Reaction Records, London, England
Co-producer: Ossie Byrne
Cover Design: Klaus Voormann
This is a stereo recording. For best results observe the R.I.A.A.
high frequency roll-of characteristic with a 500 cycle crossover.
Produced For Reaction Records
Mastered At Longwear Plating
Lacquer Cut At Atlantic Studios
Published By Nemperor
Lacquer Cut By Adrian Barber
Producer Robert Stigwood
Original US stereo pressing with purple and tan labels.
Two-step pressing ring. All runouts are etched.
"Audiodisc" provided the blank disc used for the lacquer cut. It is represented in the runouts by the letter "W".
The three dots above and one dot below the "W" show that it was Adrian Barber who had 'mastered' it (performed the lacquer cut).
Mastering variant to otherwise similar Bee Gees' 1st.
Some covers have a small promo sticker with "HOLIDAY" in red block letters.
First catalog number (SD 33-223) on jacket front, back, labels.
Second catalog number (33-223) on spine.
(C) 1967 Atlantic Recording Corporation
Atco Records. Division of Atlantic Recording Corporation.
1841 Broadway, New York, New York 10023
Rights Society: BMI
Оцифровка: otto1961 (rutracker.org)
СПАСИБО!!!
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