MICHAEL JACKSON. 1984
FAREWELL MY SUMMER LOVE. LP (USA)
Motown – 6101ML
Matrix / Runout (Side A): 6101MLA
Matrix / Runout (Side B): 6101MLB
Vinyl, LP, Stereo, Album
Country: US
Записан / Выпущен: 1973 / 1984
Жанр,стиль: Electronic, Funk / Soul, Disco,
mp3 320 кбит/сек. 90.0 Mb
Продолжительность: 31:10
TRACKLIST:
ВОСПРОИЗВЕСТИ ВСЁ
SIDE ONE
01. DON'T LET IT GET YOU DOWN - 03:04
Jerry Marcellino, Mel Larson, Deke Richards
Jobete Music Company, Inc. (ASCAP)
Arranged by James Anthony Carmichael
PRODUCED BY MEL LARSON & JERRY MARCELLINO
Recorded 8/31/73
02. YOU'VE REALLY GOT A HOLD ON ME - 03:32
William "Smokey" Robinson
Jobete Music Company, Inc. (ASCAP)
Arranged by James Anthony Carmichael
PRODUCED BY MEL LARSON & JERRY MARCELLINO
Recorded 6/13/73
03. MELODIE - 03:26
Mel Larson, Jerry Marcellino, Deke Richards
Jobete Music Company, Inc. (ASCAP)
Arranged by James Anthony Carmichael
PRODUCED BY MEL LARSON & JERRY MARCELLINO
Recorded 1/15/73
04. TOUCH THE ONE YOU LOVE - 02:49
Artie Wayne, George Clinton
WB Music Corp. & Brown's Mill Music (ASCAP)
Warner-Tamerlane Pub. Corp. (BMI)
Arranged by James Anthony Carmichael
PRODUCED BY MEL LARSON & JERRY MARCELLINO
Recorded 6/14/73
05. GIRL YOU'RE SO TOGETHER - 03:12
Keni Lewis
Stone Diamond Music Corp. (BMI)
PRODUCED & ARRANGED BY FREDDIE PERREN & FONCE MIZELL
Recorded 8/31/73
SIDE TWO
06. FAREWELL MY SUMMER LOVE - 04:27
Keni Lewis
Stone Diamond Music Corp. (BMI)
PRODUCED & ARRANGED BY FREDDIE PERREN & FONCE MIZELL
Recorded 8/31/73
07. CALL ON ME - 03:41
Fonce Mizell, Larry Mizell
Jobete Music Company, Inc. (ASCAP)
Arranged by Gene Page & Fonce Mizell
PRODUCED BY FREDDIE PERREN & FONCE MIZELL
Recorded 9/4/73
08. HERE I AM (COME AND TAKE ME) - 02:57
Al Green, Mabon Hodges
Irving Music, Inc. & Al Green Music, Inc. (BMI)
Arranged by David Blumberg
PRODUCED BY HAL DAVIS
Recorded 6/6/73
09. TO MAKE MY FATHER PROUD - 04:07
Bob Crewe, L. Weiss
Saturday Music, Inc. (BMI)
Arranged by Michael Melvoin
PRODUCED BY BOB CREWE
Recorded 4/11/73
Michael Jackson is a phenomenon, but he's no overnight sensation. From his million selling Motown debut as the lead vocalist with the Jackson 5 ("I Want You Back," 1969), to his current status as America's number one recording artist and first video superstar, the 25 year-oid native of Gary, Indiana has been growing up in public for the past 15 years. Longer than that, actuaily. Michael began singing professionally with his older brothers Jermaine, Marlon, Jackie and Tito at age five. The group recorded at least three singles for local labels prior to their signing with Motown, where they promptly fired off four consecutive double number onesnumber one pop and number one
R & Bdiscs: "I Want You Back," "ABC," "The Love You Save" and "Ill Be There." In 1971,
Michael started making solo records. Ranging from airy ballads ("Got To Be There") to bouncy remakes of old rock 'n'roll numbers (Bobby Day's "Rockin' Robin"), these were also hits. Until they left the label at the end of 1975, every Jackson 5 single recorded for Motown went top ten R&B, and two of these (1971's "Never Can Say Goodbye" and 1974's "Dancing Machine") were R&B number ones. Since then, the grouprechristened the Jacksons with brother Randy filling in for Jermaine, who soldiered on as a Motown solo artist-has racked up another half-dozen hits. Michael, meanwhile, has sold more than 30 million records as a solo artist. A glorious history, to be sure, of which the album you now hold in your hands is but the latest chapter. It seems that when
Motown moved its offices several years back, more than one carton of unreleased session tapes had been misplaced, including-get this-more than 40 tracks by Michael Jackson and The Jackson 5! Legend has it these tapes had mysteriously found their way into the Moroccan Muzik Makers file, but I don't believe that. Turns out the paperwork had been in the system since late 1972 and early 1973, which is when this material was originally recorded, but the master tapes had apparently been eaten by a
close relative of the monster that devours socks out of my laundry one at a time.
The real surprise, however, came not when Motown found these tapes, but when they played them. At least an album's worth were of a surprisingly high-quality. Sure, they
needed final mixes and a little overdubbing, but Michael's vocals were there. What's more important is that these tracks give pop historians and Michael-come-lately fans alike a rare opportunity to hear a now legendary performer in the process of getting his style together. The sunny title track provides the missing link between the Tymes '61 summer smash "So Much In Love" and more mature Michael material such as "Human Nature," while the guitar driven "Don't Let It Get You Down" bears an uncanny
resemblance to the young man's future experiments in rock! funk fusion.
Meanwhile, the albums pair of covers-Smokey Robinson & The Miracle's "You've Really Got A Hold On Me" and Al Green's "Here I Am (Come and Take Me)"- spotlight two of young Michael's major stylistic influences. Note how closely he fol
lows the singers' original verses, mannerism for mannerism, Inflection for inflection many of which he still retains. Although "Melodle" finds Michael working out on a neoclassic Motown stomper and "Call On Me" is reminiscent of an early Intruders track, one reason for the young man's current success lies in his ability to turn pop confection into pure perfection. The frothy "Touch The One You Love," the melodramatic "To Make My Father Proud" and the effervescent "Girl You're So Together" are all sound evidence of Motown's and Michael's constant attempts to broaden their artistic range. Obviously, the strategy worked. Like Michael Jackson himself, this album will grow on you. Never Before Released…
MOTOWN DON WALLER
All new musical overdubs and mixes produced by
TONY PELUSO, MICHAEL LOVESMITH & STEVE BARRI
Keyboards: Michael Lovesmith
Drums: Mike Baird
Guitars: Tony Peluso
Percussion: Steve Barri
Engineer: Tony Peluso
Overdubs recorded at A&M Recording Studios,
Hollywood, California
Assistant Engineer: Magic Moreno
Mixed at Larrabee Studios, Hollywood, California
Assistant Engineer: Sabrina Buchanik
Mastered by John Matousek, Motown/Hitsville
U.S.A. Recording Studios, Hollywood, California
Session Coordinator: Gail Pierson
Research & Album Coordinator: Brenda M. Boyce
Catalogue Also Available:
MICHAEL JACKSON:
MOTOWN SUPERSTARS SERIES, VOL. VII (M5-107 V1)
GOT TO BE THERE (M5-130 V1), BEN (M5-153 V1)
THE BEST OF MICHAEL JACKSON (M5-194 V1)
GOT TO BE THERE & BEN (TWINPAX CASSETTE) (6077 MC)
FOREVER MICHAEL (5331 ML), MUSIC AND ME (5332 ML),
MICHAEL JACKSON & THE JACKSON 5:
LOOKIN' THROUGH THE WINDOWS (5262 ML)
MAYBE TOMORROW (M5-228 V1), ANTHOLOGY (M7-868 R3),
MOTOWN SUPERSTARS SERIES, VOL. X11 (M5-112 V1),
DIANA ROSS PRESENTS THE JACKSON 5 (M5-129 V1), ABC (M5-152 V1),
THIRD ALBUM (M5-157 V1), GREATEST HITS (M5-201 V1),
GOIN' BACK TO INDIANA (5261 ML), CHRISTMAS ALBUM (5250 ML),
SKYWRITER (5333 ML), DANCING MACHINE (5334 ML),
GET IT TOGETHER (5336 ML), MOVING VIOLATION (5337 ML),
JOYFUL JUKEBOX MUSIC (5338ML), 14 GREATEST HITS (6099 ML),
16 GREATEST HITS (CASSETTE ONLY) (6100 MC),
GREAT SONGS & PERFORMANCES THAT INSPIRED THE MOTOWN,
25th ANNIVERSARY TV SHOW (5312 ML), MICHAEL JACKSON & THE JACKSON 5
COMPACT COMMAND PERFORMANCE (COMPACT DISC) (6070 MD)
(P)&(C) 1984 Motown Record Corporation,
Hollywood, California 90028,
All Rights Reserved, Printed in U.S.A.
Distributed in the United States by MCA Distributing, Inc.
Оцифровка: bezbazara (rutracker.org)
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