суббота, 26 сентября 2020 г.

THE BEATLES. 1973 - PLEASE PLEASE ME. LP (UK), 1994. LP (РОССИЯ)

THE BEATLES. 1973

PLEASE PLEASE ME. LP (UK)

Parlophone – PCS 3042
Matrix / Runout: (Side A) YEX 94-1
Matrix / Runout: (Side B) YEX 95-1
Vinyl, LP, Stereo, 33 1/3, Album, Reissue,
Страна: UK
Записан / Выпущен: 1963 / 1973
Жанр,стиль:Rock, Rock & Roll, Rhythm & Blues, Pop Rock
mp3 320 кбит/сек. 106 Mb
Продолжительность: 33:20

СОДЕРЖАНИЕ:

SIDE ONE

01. I Saw Her Standing There (Paul McCartney - John Lennon) - 02:58
https://www.youtube.com/watch?v=uZMQU4c1pEg

02. Misery (Paul McCartney - John Lennon) - 01:54
https://www.youtube.com/watch?v=jltUrO4VPro

03. Anna (Go to Him) (Arthur Alexander) - 03:01
https://www.youtube.com/watch?v=0HG9ILPlWBQ

04. Chains (Gerry Goffin, Carole King) - 02:30
https://www.youtube.com/watch?v=hcq7IQMP3Yc

05. Boys (Luther Dixon, Wes Farrell) - 02:30
https://www.youtube.com/watch?v=rN6ZZiKWZYA

06. Ask Me Why (Paul McCartney - John Lennon) - 02:30
https://www.youtube.com/watch?v=rCTHm1rAW58

07. Please Please Me (Paul McCartney - John Lennon) - 02:02
https://www.youtube.com/watch?v=q3NTVkHwD5I

SIDE TWO

08. Love Me Do (Paul McCartney - John Lennon) - 02:25
https://www.youtube.com/watch?v=l_ND5fVCEqI

09. P.S. I Love You (Paul McCartney - John Lennon) - 02:08
https://www.youtube.com/watch?v=p5AQ-DuYhEA

10. Baby It's You (Mack David, Barney Williams, Burt Bacharach) - 02:45
https://www.youtube.com/watch?v=OJXSyEpFZZs

11. Do You Want to Know a Secret (Paul McCartney - John Lennon) - 02:02
https://www.youtube.com/watch?v=yvBm4CtJRYM

12. A Taste of Honey (Bobby Scott, Ric Marlow) - 02:08
https://www.youtube.com/watch?v=DA_UnN-WN1I

13. There's a Place (Paul McCartney - John Lennon) - 01:55
https://www.youtube.com/watch?v=zi6JI3K-ANc

14. Twist and Shout (Phil Medley, Bert Russell) - 02:35
https://www.youtube.com/watch?v=b-VAxGJdJeQ

Pop pioking is a fast 'n' furious business these days whether you are on the recording studio side listening out, or on the disc-counter side listening in. As a record reviewer I find myself installed halfway in-between with an ear cocked in either direction. So far as Britain's record collecting public is concerned, The Beatles broke into earshot in October, 1962. My natural hometown interest in the group pre-vented me taking a totally unbiased view of their early success. Eighteen months before their first visit to the EMI studios in London, The Beatles had been voted Merseyside's favourite outfit and it was inevitable that their first Parlophone record, LOVE ME DO, would go straight into the top of Liverpool's local hit parade.The grouP's chances of national chart entry seemed much more remote. No other team had joined the best-sellers via a debut disc. But The Beatles were history-makers from the start and LOVE ME DO sold enough copies during itsfirst 48 hours in the shops to send it soaring into the national charts. In all the busy years since pop singles first shrank from ten to seven inches I have never seen a British group leap to the forefront of the scene with such speed and energy. Within the six months which followed the Top Twenty appearance of LOVE ME DO, almost every leading deejay and musical journalist in the country began to shout the praises of The Beatles. Readers of the New Musical Express voted the boyd into a surprisingly high place via the 1962/63 popularity poll ... on the strength of just one record release. Pictures of the group spread themselves across the front pages of three national music papers. People inside and outside the record industry expressed tremendous interest in the new vocal and instrumental sounds which The Beatles had introduced. Brian Matthew (who has since brought The Beatles to many millions of viewers and listeners in his "Thank Your Lucky Stars", "Saturday Club" and "Easy Beat" programmes) describes the quartet as visually and musically the most exciting and accomplished group to emerge since The Shadows. Disc reviewing, like disc producing, teaches one to be wary about making long-term predictions. The hit parade isn't always dominated by the most worthy performances of the day so it is no good assuming that versatility counts for everything. It was during the recording of a Radio Luxembourg programme in the EMI Friday Spectacular series that I was finally convinced that The Beatles were about to enjoy the type of top-flight national fame which I had always believed that they deserved. The teen-audience didn't know the evening's line-up of artists and groups in advance, and before Muriel Young brought on The Beatles she began to read out their Christian names. She got as far as John ... Paul ... and the rest of her introduction was buried in a mighty barrage of very genuine applause. I cannot think of more than one other group British or American — which would be so readily identified and welcomed by the announcement of two Christian
names. To me, this was the ultimate proof that The Beatles (and not just one or two of their hit records) had arrived at the uncommon peak-popularity point reserved for discdom's privileged few. Shortly afterwards The Beatles proved their pop power when they by-passed the lower segments of the hit parade to scuttle straight into the nation's Top Ten with their second single, PLEASE PLEASE ME. This brisk-selling disc went on to overtake all rivals when it bounced into the coveted Number One slot towards the end of February. Just over four months after the release of their very first record The Beatles had become triumphant chart-toppers! Producer George Martin has never had any headaches over choice of songs for The Beatles. Their own built-in tunesmith team of John Lennon and Paul McCartney has already tucked away enough self-penned numbers to maintain a steady output of all-original singles from now until 1975! Between them The Beatles adopt a do-it-yourself approach from the very beginning. They write their own lyrics, design and eventually build their own instrumental backdrops and work out their own vocal arrangements. Their music is wild, pungent, hard-hitting, uninhibited . . . and personal. The do-it-yourself angle -ensures complete originality at all stages of the pro-cess. Although so many people suggest (without closer definition) that The Beatles have a trans-Atlantic style, their only real influence has been from the unique brand of Rhythm and Blues folk music which abounds on Merseyside and which The Beatles themselves have helped to pioneer since their formation in 1960. This record comprises eight Lennon-McCartney compositions in addition to six other numbers which have become firm live-perform-ance favourites in The Beatles' varied repertoire. The group's admiration for the workof The Shirelles is demonstrated by the inclusion of BABY IT'S YOU (John taking the lead vocal with George and Paul supplying the harmony), and BOYS (a fast rocker which allows drummer Ringo to make his first recorded appearance as a vocalist). ANNA, ASK ME WHY, and TWIST AND SHOUT also feature stand-out solo performances from John, whilst DO YOU WANT TO KNOW A SECRET hands the audio spotlight to George. MISERY may sound as though it is a self-duet created by the multi-recording of a single voice ... but the effect is produced by the fine matching of two voices belonging to John and Paul. There is only. one 'trick duet' and that is on A TASTE OF HONEY featuring a dual-voiced Paul. John and Paul get together on THERE'S A PLACE and I SAW HER STANDING THERE: George joins them for CHAINS, LOVE ME DO and PLEASE PLEASE ME.

TONY BARROW

John Lennon – lead, harmony and background vocals; rhythm and acoustic guitars; harmonica and hand claps.
Paul McCartney – lead, harmony and background vocals; bass and hand claps.
George Harrison – harmony and background vocals; lead and acoustic guitars; lead vocals on "Chains" and "Do You Want to Know a Secret"; hand claps.
Ringo Starr – drums, tambourine, maracas, hand claps and lead vocals on "Boys".
Andy White – drums on "Love Me Do" and "P.S. I Love You".
George Martin – additional arrangements; piano on "Misery" and celesta on "Baby It's You"

George Martin – producer and mixer
Norman Smith – engineer and mixer

Please Please Me - "Пожалуйста, порадуй меня" - дебютный альбом The Beatles, вышедший 22 марта 1963 года на Parlophone (PMC 1202 - моно) в Великобритании. Стереоверсия PCS 3042 вышла 26 апреля 1963.
Виниловая история альбома очень богата и многообразна, укажем только ранние британские издания:
https://oldies-goldies.ru/product_info.php?products_id=125

(С) 1963. TRADE MARK OF
THE PARLOPHONE Co., Lid.
LONG PLAY 33 1/3 R.P.M
E.M.I. RECORDS LIMITED (Controlled by Electric & Musical Industries Ltd.)
HAYES • MIDDLESEX • ENGLAND
Made and Printed in Great Britain
Garrod Et Lofthouse Ltd. PMC 1202 PCS 3042
Оцифровка: LeddZepp (plastinka.org)

ССЫЛКА:

СКАЧАТЬ ИЛИ ПРОСЛУШАТЬ

THE BEATLES. 1994

PLEASE PLEASE ME. LP (РОССИЯ)

Santa Records – П93 00537/38, Santa Records – ATR 30109/10
Matrix / Runout (Side A (Scratch)): ATR 30109
Matrix / Runout (Side B (Scratch)): ATR 30110
Винил, LP, Mono, 33 1/3, Альбом, Unofficial Release
Страна: РОССИЯ
Записан / Выпущен: 1963 / 1994
Жанр,стиль: Rock, Pop Rock
mp3    320 кбит/сек. 81.2 Mb
Продолжительность:   32:21

СОДЕРЖАНИЕ:

SIDE ONE

01. I Saw Her Standing There (Paul McCartney - John Lennon) - 02:53
02. Misery (Paul McCartney - John Lennon) - 01:49
03. Anna (Go to Him) (Arthur Alexander) - 02:56
04. Chains (Gerry Goffin, Carole King) - 02:24
05. Boys (Luther Dixon, Wes Farrell) - 02:26
06. Ask Me Why (Paul McCartney - John Lennon) - 02:24
07. Please Please Me (Paul McCartney - John Lennon) - 02:01

SIDE TWO

08. Love Me Do (Paul McCartney - John Lennon) - 02:21
09. P.S. I Love You (Paul McCartney - John Lennon) - 02:04
10. Baby It's You (Mack David, Barney Williams, Burt Bacharach) - 02:36
11. Do You Want to Know a Secret (Paul McCartney - John Lennon) - 02:00
12. A Taste of Honey (Bobby Scott, Ric Marlow) - 02:03
13. There's a Place (Paul McCartney - John Lennon) - 01:51
14. Twist and Shout (Phil Medley, Bert Russell) - 02:33

George Harrison (Lead Guitar),
John Lennon (Rhythm Guitar),
Paul McCartney (Bass Guitar),
Ringo Starr (Drums)


Santa Records – П93 00537/38,
Santa Records – ATR 30109/10
РОССИЯ 1994
Оцифровка: sonmelomana.blogspot.com