CREEDENCE CLEARWATER REVIVAL. 1990
CHOOGLIN'. LP (GERMANY)
Fantasy – 55-F-9621
Vinyl, LP, Stereo, 33 1/3, Album, Compilation
Country: Germany
Записан / Выпущен: 1968-1970 / 1990
Жанр,стиль: Blues Rock, Country Rock, Classic Rock,
mp3 320 кбит/сек. 95.3 Mb
Продолжительность: 39:09
TRACKLIST:
SIDE 1:
01. I Heard It Through the Grapevine - 11:09
(Whitfield-Strong) Jobete Music —BM!
“Heard It Through the Grapevine” originally in-
cluded in Fantasy LP F-8402— Cosmo’ Factory,
initially released in July, 1970
02. Keep on Chooglin’ - 07:41
(J.C. Fogerty) Jondora Music —BM!
“Keep on Chooglin’” originally included in Fantasy LP F-8387—
Bayou Country, initially released in January, 1969
SIDE 2:
03. Suzie Q - 08:38
(Hawkins-Lewis-Broadwater) Arc Music —BMI
“Suzie Q” originally included in Fantasy LP F-8382
— Creedence Clearwater Revival initially
released in July, 1968
04. Pagan Baby - 06:24
(J.C. Fogerty) Jondora —BM!
“Pagan Baby” originally included in Fantasy LP
F-8410— Pendulum, initially released in
December, 1970
05. Born on the Bayou - 05:15
(J.C. Fogerty) Jondora — BMI
“Born on the Bayou” originally included in Fantasy LP F-8387—
Bayou Country, initially released in January, 1969
Creedence Clearwater Revival...in brief
(The information below was part of Creedence'’s press kit circa 1969.)
STUART COOK - BASS, BORN April 25, 1945 in Oakland, California, PERSONALS 5'11', 155 Ibs., brown eyes and brown hair, PRESENT HOME Berkeley, California, INSTRUMENTS Electric bass, piano, FAVORITE GROUPS: The Beatles, Booker T. and the MGs, The Jimi Hendrix Experience, Traffic, FAVORITE SINGERS: Steve Winwood, Elvis Presley, Aretha Franklin, Joan Baez, Judy Collins,
HOBBIES Photography, horses, reading, out-of-door things, PROFESSIONAL AMBITION To make more music.
“Creedence to me is four individuals who together make up a fifth person. I like to think of that fifth individual as a perfect blend of art and science and one that voices both. All the
notes have been played before sa there’s nothing new scientifically. Artistically, I feel we're injecting something new and with good taste.”
Stu Cook
JOHN CAMERON FOGERTY - LEAD GUITAR, VOCALS, HARMONICA, BORN: May 28, 1945 in Berkeley, California,PERSONALS: 5'11," 145 Ibs., hazel eyes and brown hair, PRESENT HOME: El Cerrito, California, INSTRUMENTS: Guitar, harp, piano, organ, FAVORITE GROUPS: The Beatles, The Jimi Hendrix Experience, The Rolling Stones, FAVORITE SINGERS: Little Richard, Howlin’ Wolf, Carl Perkins, Early Elvis, HOBBIES: Music in all forms... writing, producing, arranging, listening, PROFESSIONAL AMBITION: To move the music world
“Right now I'm where I've wanted to be since I was seven years old. But we've still just scratched the surface. There is so much untapped sound and so many songs waiting to be written. We've studied hard what went before. Only the future can tell us how well we learned.”
John Fogerty
DOUG “COSMO” CLIFFORD - DRUMS, BORN: April 24, 1945 in Palo Alto, California, PERSONALS: 5'9", 150 Ibs., green eyes and brown hair, PRESENT HOME: El Cerrito, California, INSTRUMENT: Drums, FAVORITE GROUPS: BookerT. and the MGs, The Jimi Hendrix Experience, The Beatles, FAVORITE SINGERS: Fred Neil, Aretha Franklin, Albert King, Judy Collins, Otis Redding, Little Richard, Elvis, HOBBIES: Hiking, studying insect life and botany — deep interest in all plant and animal life, PROFESSIONAL AMBITION:To keep learning and to win the respect of other musicians.
“The group is my life and my personal challenge. The music for me is a highly personal form of communication, and one that breaks down walls of language between people. If music helps people communicate, that's important. If it makes them feelgood too, as I think ours does, that's just as important.”
Doug Clifford
TOM FOGERTY - GUITAR, BORN: November 9, 1941 in Berkeley, California, PERSONALS: 5'11', 170 Ibs., hazel eyes and blond hair, PRESENT HOME: El Cerrito, California, INSTRUMENT: Guitar, FAVORITE GROUP: Booker T. and the MGs, FAVORITE SINGERS: Otis Redding, Patsy Cline, HOBBIES: Reading: PROFESSIONAL & PERSONAL AMBITION: To really learn how to play the guitar.
“John and I have always been brothers, obviously. But we regard ourselves just as friends. That's the way it is with the group too. We've been tog for ten years. We've gota unity of minds. Our goal has been constant —to make it in music, but only after making it together as people.”
Tom Fogerty
Technical Data
Mastered by George Horn/Fantasy Studios
This record was mastered from a Digital Master Tape, which was created by reprocessing the original analog master tapes and converting them to digital, using a Studer A-80 two-track analog tape machine and a Mitsubishi X-80 PCM digital recorder.
During the process, additional equalization was introduced via two Sontec 430B mastering equalizers.
The master lacquer was cut on a Neumann lathe employing an SX-74 cutter controlled by a Zuma audio computer.
Subsequent special handling and processing has produced excellent metal parts. This record was custom pressed by Columbia Record Productions
on quality “Masterworks” virgin vinyl and stringent quality control procedures were applied.
Cover photos — Michael Putiand / Retna Ltd.
“Little birdie, little birdie,
come and sing me your song.
I've a short time for to be here
and a long time to be gone.”
—Traditional mountain ballad
In 1969 I was a fledgling college teacher, apprenticed to an English Department at a large univer-sity in Buffalo, New York. That year! lived in what urban analysts politely term a “mixed” neighborhood, in the early stages of irreversible decline. The folks downstairs counted among their close friends several members of the Road Vultures, Buffalo’ own legendary outlaw M.C., and when the weather was warm and the choppers formed a gleaming row at the curb and the quarts of Iroquois were lined up on the porch railing, avery low-fi 8-track—the kind that would repeat till it died—was dragged onto the window sill to provide the proper atmosphere for the proceedings. And, of course, it was always and only Creedence that they played until they got enough.
I had seen Creedence in San Francisco the year before at the Avalon Ballroom and loved them. Back in Buffalo, on those summer days and nights filled with Bayou Country and Green River, I would stop downstairs to talk records with a particularly crazy collector, a member of the Vultures’ lunatic fringe, who had the proverbial Mitchumesque L-O-V-E and H-A-T-E tattooed on his knuckles. (I know it sounds tired, but it’s pretty scary in person.) He was able to detect a counterfeit Sun label while it was spinning at 78 rpm and he L-O-V-E-d Creedence and H-A-T-E-d to go home while the tape was still playing.
Sweet reverie is leading me astray but what! learned from those (mostly) genial maniacs was that Creedence’s music was not simply two minutes and twenty seconds of clear channel energy. It was also a fertile long-term environment for ~ all sorts of problems and solutions. Which is only fitting. Creedence Clearwater Revival was, after all, the product of a specific place—the Bay area
and a specific time—the late Sixties. Whatever precise economy John Fogerty aimed for when he wrote, for most of their time together the firm of Fogerty, Fogerty, Clifford & Cook played for
dancing, the longer the better, The economy remained in the conception and in the overall cohesiveness, as if Creedence singles were extruded, emphasizing their close-to-the-ground hypnotic crunch, a special form of rowdy American trance music, perhaps. And that voice: a driven original, ranking with Fats Domino and Jimmie Rodgers, So Chooglin’ is not just another greatest hits
repackage—as great as those hits were and as indispensable as the repackages have become over the last decade. With its state-of-the-art — sound Chooglin’ is actually the longest twelveinch in the history of what is now called DOR; absolutely the last party record you will everhave to buy. After more than a decade it sounds just as vital, just as necessary as it ever did; rock & roll
forAmerican troubles and American celebrations.
“1 can remember the fourth of July...
” Me too, John. Me too.
—Jeff Nesin
New York City
July 4, 1982
(P) 1982, Fantasy“ Records
Tenth and Parker
Berkeley, CA 94710
Made in W.-Germany
Оцифровка: alexspkl (rutracker.org)
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