суббота, 7 августа 2021 г.

BOOTS RANDOLPH. 1964 - HIP BOOTS ! LP (USA)

BOOTS RANDOLPH. 1964

HIP BOOTS ! LP (USA)

Monument – SLP 18015

Matrix / Runout (Label [Side A]): XSM 111795

Matrix / Runout (Label [Side B]): XSM 111796

Винил, LP, Стерео, 33 1/3, Альбом,

Страна: US

Записан / Выпущен: 19.. / 1964

Жанр,стиль: Jazz, Easy Listening,

mp3 320 кбит/сек. 81.7 Mb

Продолжительность: 33:28

TRACKLIST

SIDE ONE

01. STACK OF DOLLARS (Robinson, Jones, Bradshaw) - 02:21

Lois Music BMI

02. RELAXIN'. (J. Guinn) - 02:56

Patricia Music BMI

03. BLACK CHIFFON (Boudleaux Bryant) - 02:23

Acuff-Rose Pub. BMI

04. THIS HERE (R. Dorough, Bobby Timmons) - 02:59

Mellowtone Music BMI

05. BODY AND SOUL (Hayman, Green, Sour) - 03:14

Harms, Inc. ASCAP

https://www.youtube.com/watch?v=Cn3IhCj14T8

06. CRAZY RHYTHM (Caesar, Meyer, Kahn) - 02:58

Harms, Inc. ASCAP

SIDE TWO

07. HARLEM NOCTURNE (E. Hagen) - 05:06

S. B. Music BMI

https://www.youtube.com/watch?v=ZyokxmcfDK8

08. THREE TO GET READY (Brubeck, Desmond) - 02:14

Derry Music BMI

https://www.youtube.com/watch?v=uV1rA538awY

09. BILLY'S BOUNCE (C. Parker) - 02:13

Savoy Music BMI

https://www.youtube.com/watch?v=YMGF6goKjUk

10. ON THE STREET WHERE YOU LIVE (Lerner-Loewe) - 04:20

Chappell & Co. ASCAP

11. GRAVY WALTZ (R. Brown, S. Allen) - 02:39

Ray Brown Pub. Co. BMI

1 don’t know what the word “hip” means to you. Chances are, it has as many different shades of meaning as there are people who use it. But one thing we do know, the word itself is complimentary and implies that the person being spoken of is “in the know”, well-informed, and capable in the field of interest under discussion.

The word “versatile” implies great flexibility and wide range of ability and understanding in a given area of endeavor as “hip versatility.” Boots Randolph is the only sax man I know of who can blow a so-right, so-in-character chorus on a country record session; turn right around and play oh-so-sexy-saxy on a beautiful ballad; and next, knock everybody clean out at a jazz festival. Obviously, this places Boots on a very high level of “hip-osity”, “hiptitude” or “super hip-pidity”, if we may coin a few words. This is why he works on an average of 12 record sessions per week as a side-man for various artists, from Elvis to Boot Hog Pefferley. Trouble is, you don’t hear enough of Boots on such records. Naturally, the stars must shine. Well, on this, and his other Monument records, Boots is the star, and I must say, a shining, swinging one.

If you dig great sax and hip sounds, latch onto this pancake and file it in that special section of your hi-fi cabinet reserved for “The Greatest”.

Boudleaux Bryant

Engineer: Tommy Strong

Technician: Bill Vandevort

Producer: Fred Foster

A Full Frequency High Fidelity Recording